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Praised for her “very colorful, interesting and beautiful instrument” Mezzo Soprano Robin Bradley has performed in venues across the nation, ranging from Chicago's Civic Opera House to Carnegie Hall to the historic Sanders Theater in Cambridge, MA. Coming up, she will join the Dnipro State Opera to cover Amneris in their Germany Tour of Aida under the baton of Maestro Giuseppe Raffa and will join Chicago Opera Theater for their November 2022 production of Syzmanowski's King Roger


Recent professional highlights include making her debut with Folks Operetta Chicago as Monique in the American premier of Korngold's Die Kathrin, singing Fenena in Verdi's Nabucco with New York's Center for Jewish history, Tisbe in La Cenerentola with Winter Opera Saint Louis, Lois Lane in Kiss Me, Kate with Pittsburgh Festival Opera, and the title role in Chicago Fringe Opera's The Rape of Lucretia.


As a Young Artist she covered the title role in Carmen with Cedar Rapids Opera Theatre as well as covering The Marquise of Birkenfeld in La fille du régiment with Martina Arroyo's Prelude to Performance Program. Since 2016, Ms. Bradley has had three contracts with the Lyric Opera of Chicago's world renowned chorus, singing in the ensembles of Berlioz's Les Troyens, Puccini's Turandot & Bellini's I Puritani. Ms. Bradley has also served as a company apprentice of Flamenco Chicago, the professional company of acclaimed dancer and choreographer Rosetta Magdalen.

Other roles include Ottavia in L'Incoronazione di Poppea, Madame de la Haltière in Massenet’s Cendrillon, Emilia in Otello, Third Lady in Die Zauberflöte, La Zia Principessa in Suor Angelica, Marcellina in Le Nozze di Figaro, Kate in The Ballad of Baby Doe, The Witch and Mother in Hansel and Gretel, and Peep-Bo in The Mikado. Concert work includes the alto soloist in Mendelssohn's Elijah and Handel's Messiah as well as a featured artist in Ústí nad Labem-North Bohemian Theatre of Opera and Ballet's 2017 Summer Festival in the Czech Republic. 

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